Osso Buco
by Billy Collins
I love the sound of the bone against the plate
and the fortress-like look of it
lying before me in a moat of risotto,
the meat soft as the leg of an angel
who has lived a purely airborne existence.
And best of all, the secret marrow,
the invaded privacy of the animal
prized out with a knife and wallowed down
with cold, exhilarating wine.
I am swaying now in the hour after dinner,
a citizen tilted back on his chair,
a creature with a full stomach–
something you don’t hear much about in poetry,
that sanctuary of hunger and deprivation.
You know: the driving rain, the boots by the door,
small birds searching for berries in winter.
But tonight, the lion of contentment
has placed a warm heavy paw on my chest,
and I can only close my eyes and listen
to the drums of woe throbbing in the distance
and the sound of my wife’s laughter
on the telephone in the next room,
the woman who cooked the savory osso buco,
who pointed to show the butcher the ones she wanted.
She who talks to her faraway friend
while I linger here at the table
with a hot, companionable cup of tea,
feeling like one of the friendly natives,
a reliable guide, maybe even the chief’s favorite son.
Somewhere, a man is crawling up a rocky hillside
on bleeding knees and palms, an Irish penitent
carrying the stone of the world in his stomach;
and elsewhere people of all nations stare
at one another across a long, empty table.
But here, the candles give off their warm glow,
the same light that Shakespeare and Izaac Walton wrote by,
the light that lit and shadowed the faces of history.
Only now it plays on the blue plates,
the crumpled napkins, the crossed knife and fork.
In a while, one of us will go up to bed
and the other will follow.
Then we will slip below the surface of the night
into miles of water, drifting down and down
to the dark, soundless bottom
until the weight of dreams pulls us lower still,
below the shale and layered rock,
beneath the strata of hunger and pleasure,
into the broken bones of the earth itself,
into the marrow of the only place we know.
from “The Art of Drowning” by Billy Collins
(University of Pittsburgh Press)
Thanks to Daron for introducing me to this poem, and to Matt, who was inspired to learn to cook Osso Buco because of it. Poetry and cooking--now there's a happy marriage.
Here are some links to recipes for Ossobuco. There seem to be 2 versions: those made with just meat, flour, butter, and wine, like Mark Bittman's recent recipe in the New York Times; and those also made with carrots, celery, and tomatoes, like this version by Giada de Laurentiis. Ossobuco alla Milanese is traditionally topped with gremolata (a chopped garlic, parlsey, and lemon zest garnish).
And here are two Italian recipes, one simple version and one with vegetables. Like many Italian recipes, the latter has no quantities, just a list of ingredients and how to prepare it. Just put in enough meat for the number of people you are serving, it says. Così.
Finally, no discussion of veal would be complete without mentioning the horrific conditions that crated, "milk-fed" (actually formula-feed) calves are raised under. (The white color of the meat is due to anemia, a lack of iron in the animal's diet.) Marian Burros
chronicles how consumer outrage and boycotts over inhumane treatment of
these animals have led to changes in the industry. Thankfully, it is now possible to buy humanely-raised veal. Not only are the calves allowed to move, but the rosy-colored meat from animals raised on grass actually tastes better, too.
As always, knowing where your food comes from is key. It starts with you. The more you know, the more you can do. Ask your butcher or grocer where their meat comes from and how it was raised.
Some sources for pastured veal: Eatwild, Grass Run Farm, Local Harvest, American Pasturage, and Bobolink Dairy, run by my favorite, passionate cheesemaker/breadmaker, Jonathan White. His website says it all: cowsoutside.com.